This is a work that wanted to be very decorative, sweet to the eye. The final result is a bit harsher than I had imagined, goes to show one never has any measure of control over the final feel of a painting.
The idea falls in the category of many `plant ladies` I’ve done and will hopefully continue to do. The mixing of taxonomic categories, really natural kingdoms in this instance, exerts a perennial fascination over me, and I don’t tire of exploring the visual possibilities of such hybridisation, and the symbolic tendrils it shoots towards myth and fable.
The setup is indebted to religious imagery, particularly a Christ with thorns I saw in Toledo Cathedral, where the origin of the red stone frame resides.
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